LaGoy-Weltz and Rassing’s Lonoir Close Out AGDF 8 with Ticket to FEI World Cup Final

Olivia LaGoy-Weltz and Rassing’s Lonoir ©SusanStickle.

Wellington, FL – March 7, 2021 – Week eight of the 2021 Adequan® Global Dressage Festival (AGDF) concluded on Sunday, March 7, with another win for USA’s Olivia LaGoy-Weltz and Rassing’s Lonoir in the FEI Grand Prix Freestyle CDI-W, presented by Wellington Agricultural Services.

LaGoy-Weltz had her sights set on the FEI Dressage World Cup™ Final in Gothenburg, Sweden and the ride secured her ticket for the North American League after earning another personal best, 83.570%.

“I think there was relief when we came down that final centerline,” admitted LaGoy-Weltz. “There was a small fear that since this was the last World Cup qualifier, something would go wrong, and you really just hope you make it to the end of the test.”

Though the pair was just on the cusp of 90% for their artistic marks, LaGoy-Weltz noted that she wasn’t sure how it went until the pair left the arena and she got feedback from her team.

“I don’t always know how it went,” she said. “I’ll come out like, ‘Was it good?’ and everyone’s like, ‘It was amazing!’ I think we are all such perfectionists, and we are always finding things here and there that could be better. He’s quite extravagant so I don’t always know what his legs are doing under me. When you come out and everyone is excited, there is relief. He’s such a special horse, and though he is getting older, it just seems like we are just getting better, and I feel very lucky that it’s going that way.”

LaGoy-Weltz didn’t alter her freestyle since the last time she rode it in the International Stadium, and explained her reasoning on keeping it the same, though she and the 2004 Danish Warmblood gelding by de Noir owned Mary Anne McPhail and LaGoy-Weltz do have other variations of it.

“It’s still the same pattern and the same music,” she commented. “Marlene Whitaker made it for us and it’s really still the first draft, but I feel like she got it quite good, and I like familiarity. We have versions with small tweaks, but I feel like I know this one well, and it works, so why change it? It’s quite a challenging pattern. There’s a lot in it, and it takes a lot of focus to ride, on his part and mine, but I like it a lot and I think Marlene did a fantastic job with all of it.”

For more information and results, please visit www.GlobalDressageFestival.com.

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