Tag Archives: George Morris

Featured HRN Radiothon Guests Include Kristian Bush (Sugarland), George Morris and Many More

George Morris.

The 2nd Annual Horse Radio Network Holiday Radiothon by Weatherbeeta will kick off a full day of amazing guests with Kristian Bush of Sugarland and Equestrian Legend George Morris.

This premier live streaming event, sponsored by WeatherBeeta and Horseloverz.com, runs from 9:00 am to 9:00 pm (ET) on Nov. 28th, 2016, and includes over 20 featured guests, $4,000 in prizes and hundreds of listener calls and voicemails.   Find the complete schedule at www.HolidayRadiothon.com.

The Featured Guests include:

Kristian Bush of Sugarland
George Morris, Equestrian Legend
Steuart Pittman, Founder of the Retired Racehorse Project
Melanie Smith Taylor, World Cup Show Jumper, Author and Announcer
Julianne Elizabeth Neal, Filmmaker
Christina Moore, Actress, produced: RUNNING WILD with Sharon Stone
Laura Graves, Bronze Medal Dressage Olympian
Tami Hoag, NY Times Best Selling Author and Dressage Rider
Monty Roberts, Equestrian Legend
Allison Brock, Bronze Medal Dressage Olympian
Martin Clunes, Actor & star of the BBC Doc Martin and Clydesdale Owner
Richard Shrake, Horseman, Trainer, Creator of Resistance Free® training
Patti Colbert, Founder of the Mustang Heritage Foundation
Joe Salatin, the most famous farmer in the world
Linda Tellington-Jones, Author, Clinician, Creator of TTouch
Guy McLean, Champion Road to the Horse, Trainer, Showman and Poet
Barry Dickenson, The Incomparable
Lisa Kelly, Ice Road Trucker
Cherry Hill, Bestselling Equestrian Author
Carolyn Haines, USA Today Bestselling Author
Lt. Col. Chad Jennings, Husband of HITM Host Jamie Jennings
Eventers Doug Payne, Tamie Smith, and Heather Morris

How to Listen:

Listen to the live 12 hours at HolidayRadiothon.com or by downloading the free mobile app on IOS or Android – search “Horse Radio Network”.  After the live event, a recorded version will be available in its entirety at www.HolidayRadiothon.com.

To Win Prizes:

Throughout the show, prizes will be given away every hour, with a grand prize announced at the end of the show. Listeners can enter to win prizes by calling in to the live show between 9 am and 9 pm eastern time at Nov. 28th, 2016  and tell us about your “Fantasy Ride/Drive” – the horse from history or today that you most want to ride and why.  Call in number:  (435) 272-1997.

Top equestrian companies have lined up to offer their goods & services for HRN fans. Prizes from companies including: WeatherBeeta, Horseloverz.com. Noble Outfitters, Redmond Equine, Benefab, Sore-No-More, Total Saddle Fit, Cavallo Boots, Smooth Stride Jeans, Monty Roberts Equus Online University, The Distance Depot, Omega Alpha Equine, Northrun Saddlery, Forever Cowgirl Coffee, Kentucky Performance Products, Biostar US, Linda Tellington-Jones, Equiderma, Equiteemfg.com, Spiced Equestrian and Uncle Jimmy’s Brand Products.

See a complete list at: www.HolidayRadiothon.com.

George Morris Demonstrates Classical Style at Beverly Equestrian Center

George Morris watching Courtney Young.

The Plains, VA – April 30, 2015 – When the “Founding Father of Hunt Seat Equitation” speaks, people listen. Today at the Beverly Equestrian Center in The Plains, VA, a captive group of auditors had the opportunity to hear what the master had to say, and the focus was on classical style.

Host Darrin Mollett stated, “It’s always great having George here; we look forward to his visit every time. You always learn something, even though he’s been here a couple years and I’ve sat in on hours and hours, I get something new every time. I really like to see the horses improve, and the riders improve each day – it’s always really impressive.”

Three groups of riders turned out for the three-day clinic that began on Tuesday, and this morning the advanced group at 3’6″ kicked off the day. After Morris inspected the eight riders’ tack and turnout, he had them work at will. During the warm-up the theme, which would persist throughout the day, was impulsion.

“As you are working, impulsion increases if you are working leg to hand,” said Morris. “Impulsion is always first. Rhythm is second. Most people don’t ride with their legs because they can’t see the back of the horse. They ride with hand, but you need to ride with leg.”

The first group exercise was a set of five cavalettis set on a small semi-circle, and riders had to work their horses by collecting them to take the inside track or teaching them a larger stride by taking the outside route.

The next exercise was to improve the canter – a gait that Morris said there is actually no such thing as, the canter is simply a collected gallop. For the first exercise, there were three fences, a two stride line to a five stride line, but riders had to first make their horses collect by doing three and six strides in both directions. Riders were next asked to do the correct strides, but after completing the first line, do a bending four-stride line from a gate to the first fence followed by a series of spiral circles to create a “perfect uphill balance.”

The next exercise was more challenging for the riders as a plank fence and triple bar set over a liverpool was added to the equation. The spooky liverpool required riders to ride defensively to the fence and get behind their horse. The entire exercise required riders to do the previous bending line in a direct three strides, before making a very short 90 degree turn to the plank, and then a direct bending three strides to the triple bar. While some horses baulked at the challenge, Morris was able to coach the riders and help them support their mounts so that they could answer the question the track asked.

When one rider’s horse wanted to stop, Morris quipped, “He goes over it, he goes under it, or he goes through it.”

Once all of the riders successfully complete that task, Morris set up a gymnastic with a line including a one-stride to a two-stride combination. The goal of the next exercise was to work on upper body control.

Morris commented, “Position is first, second is understanding the aides, and third is the basics of classical riding – impulsion, straightness, rhythm being uphill. Beezie and McLain can do what the Europeans can do with style – that is our goal. You don’t ride position – position helps you effectively ride with style. ”

Morris demonstrated correct position on Madison Warner’s mount, and, while the horse was hesitating to the fences, Morris stressed repetition and that a disciplined horse is a relaxed horse.

Another horse that Morris worked with earlier in the day was Devan Graham’s, who appreciated Morris’ attention to detail. “It was really interesting,” she expressed. “I don’t really see anyone ride him too much, so it was fun to see him ride him and deal with his strange behavior. I think it’s really good how [Morris] is all about precision and how we can focus on specific details of certain things before we move on to the larger picture.”

Kathryn Luke
Kathryn Luke

Kathryn Luke also participated, saying, “It has reinforced a lot of what my trainers have told me over the years, who have all learned from him originally. He keys in on the same faults I’ve always had, but it was nice to get validation that some things are right, even if there are things to work on. My horse is still very green and doesn’t have a lot of experience, but was able to get it done and meet the test and hold his own. I was very happy with him and what he was able to do.”

At the end of the session, Morris said, “I don’t know what I am doing, but I know more than you do. Take what you got out of this clinic and work with your trainers and continue your education.”

After retiring as Chef d’Equipe of the United States Show Jumping Team, Morris has set his sights on developing the future of the sport by conducting clinics around the world. Focusing on helping riders develop correct form and function, Morris has often been referred to as the founding father of hunt seat equitation. Second to none, his teachings, technique and style are revered around the world. Over the course of his career, Morris has been highly successful as a rider, coach, clinician, author and judge.

For more information about the George Morris Clinics and his 2015 schedules, please visit http://www.ghmclinics.com.

Rebecca Walton for Phelps Media Group, Inc. International

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22 Grand Prix Riders Face George Morris & Katie Prudent on February 20th

Come support the EQUUS Foundation on February 20th when George Morris and Katie Prudent judge teams of grand prix riders on their style and performance. Just three weeks away, horses are being selected and teams are being finalized for a first of its kind competition to support the EQUUS Foundation. 100% of the event proceeds benefit horse welfare.

Nicole Bellisimo, Candice King and Catherine Pasmore are the latest riders joining Max Amaya, Molly Ashe-Cawley, Hayley Barnhill, Georgina Bloomberg, Derek Braun, Kirsten Coe, Kent Farrington, Brianne Goutal, Lillie Keenan, Darragh Kenny, Laura Kraut, Beezie Madden, Rodrigo Pessoa, Nicki Simpson, Jessica Springsteen, Jimmy Torano, Hardin Towell, McLain Ward and Denise Wilson.

CallariCars.com is the latest to sign on as a team sponsor joining Animal Planet, Ariat International, Blackburn Architects, Fairfield Equine Associates and Split Rock Jumping Tour.

Click here to reserve your table online.

Fete Cheval Etoile Fast Facts

WHEN: Friday, February 20, 2015, 6 pm

WHERE: International Club, Palm Beach International Equestrian Center
3401 Equestrian Club Drive (Pierson Rd), Wellington, FL 33414

RSVP ONLINE: www.equusfoundation.org/fete

CONTACT: Shannon Coakley | shannon@equusfoundation.org | 203-259-1550

About EQUUS Foundation

The EQUUS Foundation, a 501(c)(3) public charity established in 2002, also known as Horse Charities of America, is dedicated to improving the quality of life of horses, enabling the therapeutic use of horses for those in need, fostering the horse-human bond, and educating the public about the horse’s unique ability to empower, teach and heal. Donations are tax-deductible to the full extent of the law. Contact the EQUUS Foundation, Inc., at 168 Long Lots Road, Westport, CT 06880, Tele: (203) 259-1550, E-Mail: equus@equusfoundation.org, Website: www.equusfoundation.org.

The Best Performance Team Invitational is a special event of the Best Performance Competition (BPC), the joint program of the United States Equestrian Federation and the EQUUS Foundation that rewards competitive excellence at recognized events and provides on-going support for horse welfare. Learn more about the BPC here.

Phelps Media Group, Inc. International
phone 561.753.3389  fax 561.753.3386
pmginfo@phelpsmediagroup.com
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George Morris Returns to the BTRC for Annual Clinic November 7-9

The George Morris clinic is a distinguished part of the USHJA Trainer Certification Program.

Buffalo, NY – October 28, 2014 – The Buffalo Therapeutic Riding Center (BTRC) will be hosting their annual George H. Morris clinic November 7-9 in Downtown Buffalo, NY. This clinic has been distinguished as part of the USHJA Trainer Certification Program, and is one of the most anticipated instructional events of the year. The clinic has a dual role, serving as a fundraiser for the BTRC, its programs, horses and special needs children, as well as offering riders the opportunity to learn from the world renowned Morris, the “founding father of hunt seat equitation.”

The BTRC is offering three levels of riders – Intermediate, Jumper and Advanced. Each level is comprised of eight riders for a total of 24 participants in the clinic, creating an intimate setting for riders and auditors alike to learn from the former Chef d’Equipe of the United States. Riding spaces are $800/rider for three days and $850 for riders wishing to receive credit for USHJA Trainer Certification. Riders are allowed to have ONE free auditing space available to a person of their choosing.

If the opportunity to reserve a riding spot has passed you, auditor spots are also offered. Whether you are a rider, trainer, beginner or advanced, everyone can gain knowledge and insight through observation. Auditing spaces are $250/person for three days or $90/person per day. If the auditor also desires credit for USHJA Trainer Certification, the cost is $300 for three days. Information and application are available here: http://www.thebtrc.org/programs/instructional-clinics/.

The intermediate group will jump 3′ and ride from 9:00 a.m. to 11:00 a.m. every day. The advanced group will jump 3’3″ and ride from 11:30 a.m. to 1:30 p.m. each day. The jumper group will jump 3’6″ to 4′ and will ride from 2:30 to 4:30 p.m. A discussion period is available for all riders and auditors on Friday, November 9, at 5 pm.

Morris is a legendary horseman, rider, trainer, clinician, author, coach and judge. He has played an integral role, not only in the development of countless renowned horses and riders, but also in the development of the current equestrian sport. His teachings, technique, and style are revered around the world.

His insight and guidance are invaluable to anyone looking to further his or her riding skills. The clinic will focus as much on horsemanship as it does on riding, offering attendees firsthand knowledge for success.

The George Morris Clinic is a distinguished as a part of the USHJA Trainer Certification Program. The program was developed to preserve the American Hunter/Jumper Forward Riding System though comprehensive education programs that will increase levels of certification for professional horse trainers. In order to receive and maintain certification, trainers are tested on a broad spectrum of relevant professional information, including training techniques, safety of horse and rider, horsemanship skills and business ethics. The 2014 George Morris Clinic at the BTRC is the perfect addition to the program, where professional trainers will learn from the best in the business.

Executive Director of the Buffalo Therapeutic Riding Center, Susie Schoellkopf, has hosted the George Morris Clinic for over 25 years. She admires his teachings and his demonstration of getting back to the basics. Schoellkopf strongly believes that it is his teachings that help to raise the standards of training and instruction in the United States.

Based out of Buffalo, NY, SBS Farms’ Susie Schoellkopf and Jennifer Alfano run one of the foremost show hunter training operations in the country, and travel nationwide to compete in the nation’s most prestigious horse shows. SBS Farms, Inc. continues the proud tradition of the Saddle and Bridle Club as one of the top show stables in the northeast. Schoellkopf is also the Executive Director of the Buffalo Therapeutic Riding Center, which houses both The Buffalo Equestrian Center as well as SBS Farms. Built in 1922, the 160-stall facility is a historical landmark, with its unique English Tudor and gothic style architecture. For more information on SBS Farms and the Buffalo Therapeutic Riding Center, please visit www.thebtrc.org.

To learn more about the 2014 USHJA Zone HOTY Finals, visit http://www.ushja.org/zones/documents/2014_HOTY_Specs.pdf.

Media Contact: Kendall Bierer
Phelps Media Group, Inc. International
phone 561.753.3389 fax 561.753.3386
pmginfo@phelpsmediagroup.com
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Bucks County Offers Warm Welcome to George H. Morris

New Hope, PA – May 23, 2014 – George Morris has just wrapped up the Gladstone Program at Hamilton Farm in Gladstone, NJ, but never one to slow down, he will now be traveling to Heathman Farm in New Hope, PA. On Tuesday, May 27, and Wednesday, May 28, the legendary horseman and coach will be instilling the foundations of good horsemanship for riders and auditors during the two day clinic.

After retiring as Chef d’Equipe of the United States Show Jumping Team, Morris has set his sights on developing the future of the sport by conducting clinics around the world. Focusing on helping riders develop correct form and function, Morris has often been referred to as the founding father of hunt seat equitation. Second to none, his teachings, technique and style are revered around the world. Over the course of his career, Morris has been highly successful as a rider, coach, clinician, author and judge.

“I rode with George for years and this is almost a favor that he is doing because he snuck it in on a Tuesday/Wednesday,” said Thea Stinnet of Heathman Farm. “The response I’ve had from the local Bucks County area has been amazing. It’s so nice to have him influence the community and for the kids to have the chance to ride with him. I am very excited about the positive response that we have had.”

While spots to participate as a rider in the clinic filled up immediately, auditor positions are still available to gain knowledge from the esteemed Morris through observation. A waiting list is also available for riders should spots open up. Auditor spots are offered for $100 per day, and food will be available for purchase.

The daily clinic schedule will begin with the first group of beginner riders at 9:00 a.m., followed by intermediate riders at 11:30 a.m. The final group of advanced riders will commence at 2:00 p.m.

For more information, please call or email Thea Stinnet at (267) 253-7754 or thea.stinnett@coldwellbanker.com.

For more information about the George Morris Clinics and his 2014 schedules, please visit http://www.ghmclinics.com.

Rebecca Walton for Phelps Media Group, Inc. International

MEDIA CONTACT:
Phelps Media Group, Inc.
12012 South Shore Blvd #105
Wellington, FL 33414
561-753-3389 (phone)
561-753-3386 (fax)
pmginfo@phelpsmediagroup.com
PhelpsMediaGroup.com

George H. Morris Gladstone Program Concludes Exemplary Week

Christie Israel.

Gladstone, NJ – May 25, 2014 – The final day of the George H. Morris Gladstone Program came to a conclusion today at the USET Foundation Headquarters at Hamilton Farms. Legendary horseman, George Morris, pushed the 10 riders to their fullest potential in the flat and gymnastics phases, being as forward as the seat he advocates. The riders were tested through training in classical dressage, as well as over a full course featuring a water jump, liverpool, airy verticals, and a dodgy triple combination.

“This was a great group of riders,” Morris stated. “When we chose them, it was based on their individual talent. I specifically placed them in two separate groups in accordance to a basic structure, but also to drive competition between the riders. They are all exemplary, sharp and talented, but you must always remember that every horse and rider is an individual – they have different needs, which these sets of sessions allow for me to address.”

Each morning session began with the riders working on their own program on the flat. They utilized the knowledge they had gathered from the previous six days, using latitudinal and longitudinal schooling to make their horses suppler. Each rider put their horse through a series of downward transitions, circling and changing direction. Morris added in his two cents when he taught the riders how to complete the three crucial turns of classical dressage: the turn on the forehand, haunches and center. The purpose of the turn-exercises was to teach the riders how to collect the horse from back to front, without over bending and using their aids to complete the three progressions.

“You have to respect classical dressage,” Morris elaborated. “Even if it is just from the soundness perspective. Dressage helps to make the horses sound; it also makes them mentally more adaptable, emotionally content and more obedient. You need classical dressage in every horse’s training.”

Morris picked up the pace with a challenging cavaletti exercise set at 18 feet where the riders guided their horse through two cavaletti at a sitting trot. It may sound simple, but there was a catch. The cavaletti were set facing the barrier lining the arena and the morning sun made the wall very shadowy and spooky. A backward liverpool accompanied the second cavaletti, adding another element to the eerie exercise. It proved the perfect way to prepare for the course ahead of the groups.

“There is no rush in horse training,” Morris enunciated. “You don’t cut corners. You cannot properly train a horse doing horse show after horse show, and riding 20 horses a day. Everything you learn is important in every step of horse training. It is all about progression for the horse and rider.”

Morris continued, “You don’t go to high school and have them say that you are no longer going to need what you learned in elementary school. I hope I am better; I hope that I have learned more over the years.”

The riders went through a series of obstacles, using the figure eight to further supple their horse and round the poll. Morris utilized a backwards oxer with a rail set on the edge of the cup to educate the horses on being aware of the top rail, even with the lightest brush it would fall. By the end of the exercise Morris was smiling and saying, “They’ve been to this movie before, clever horses.”

After completing the opening oxer-vertical line, riders worked on finding the distance to a narrow Swedish oxer set at the end of the arena. The obstacle was specifically placed there to teach the horse about its hind end. The riders practiced making shorter turns to it, similar to those they would have to make in a jump-off.

“If you don’t have a little cowboy in you, you won’t make it,” Morris said to the group. “You have to understand progression and education in horse training; it is not all smoke and mirrors. Sometimes in order to accomplish what you need the horse to do, you must have a little cowboy in you.”

Riders then understood his comment as he directed them down the diagonal line featuring an airy white gate leading to the water jump in four strides and on to the skinny yellow plank six strides away. Although several of the horses had problems with the water obstacle earlier in the week, repetition had proven key as they took the obstacle with more ease. They were finally ready to put the entire course together, and their effectiveness was apparent as they put their lessons to practice.

“You must always ask if your horse is confirmed. I call repetition brainwashing,” Morris chuckled. “This right here, this repetition, is how you get what you are trying to teach in their subconscious. Once they do it right, you do not over jump. That is one of the fastest ways to ruin a horse. If possible, you always want to end on a good note. Hug your horse, pat your horse, love your horse – they have all done a wonderful job.”

Although the 2014 George H. Morris Gladstone Program came to a conclusion today, auditors will have a second chance to experience Morris’ wisdom in June at the Gladstone Program held at Annali-Brookwood Farm in Antioch, IL, from June 23-28, 2014.The Gladstone Program is an intensive week of training and education for exceptionally dedicated and talented show jumping riders who are serious about their interest and desire to pursue a path that will prepare them to be a “team” rider and represent the United States in international competition. Riders 18+ years of age, who are currently competing successfully at 1.45 meters or above, submitted applications for the event, and were personally selected by Morris.

The purpose of the program is to continue to educate, support and guide potential “team” riders on the overall knowledge and expertise required to succeed at the top level of show jumping internationally. In addition to daily training sessions with Morris, the riders will participate in hands-on sessions with a veterinarian, an equine business lawyer, top team stable manager, and equine physiotherapist. Riders will be expected to care for their own mounts, learning vital stable management skills. Mounted sessions will include flatwork (with and without stirrups), gymnastics and jumping courses.

Riders will meet one-on-one with Morris during the week to discuss their current and future plans, and Morris will help guide them in putting together a program that will continue their preparation for international “team” competition. Morris will also remain available after the program to follow up and monitor each rider’s progress.

The United States Equestrian Team Foundation (www.uset.org) is the non-profit organization that supports the competition, training, coaching, travel and educational needs of America’s elite and developing international, high-performance horses and athletes in partnership with the United States Equestrian Federation.

For more information on the USET Foundation, please call (908) 234-1251, or visit USET ONLINE at www.uset.org.

Contact: Rebecca Walton
USET Foundation
phone 561.753.3389  fax 561.753.3386
rjw@phelpsmediagroup.com
PhelpsMediaGroup.com

George Morris Summarizes Four Days of Work to Prepare Riders for Final Day of Gladstone Program

George Morris.

Gladstone, NJ – May 24, 2014 – The fifth day of the George H. Morris Gladstone Program saw an abundance of auditors line the stands at the USET Foundation Headquarters at Hamilton Farm for the Saturday mounted sessions. The sessions this morning reviewed the previous four days of instruction, summarizing position, release over fences and exercises using classical dressage.

“Mostly I read books,” Morris began the session with his words of wisdom. “I read books, lots of books, and I review them over and over again. The key in riding and training is repetition. This is why I am involved with horses, not for the teaching, not for the cheffing, but for the riding. I like training because I hate bad riding.”

Morris continued, “These riders are advanced, they are exemplary riders, but it is important to know that you are always learning. I am teaching you what has taken me a lifetime to learn, and I am only half way there.”

Both groups of riders began their exercises this morning using classical dressage techniques. Morris enunciated the difference between classical and competition dressage, focusing on the importance of preparing all horses with the use of classical dressage and leg aids.

In normal Morris-style, the riders walked forward with impulsion as he commented on their stirrup lengths, notating that the length of the stirrup should be two to three holes longer for flat work. After a day of no stirrups, it was important that the riders maintained their forward positions in the saddle, staying about 5 degrees ahead of the vertical, using their bodies to be slightly ahead of the base of support and never falling behind the movement of the horse.

“Practice doesn’t make perfect,” Morris chuckled. “Perfect practice makes perfect. That is our goal. Position is a work in progress until the day you stop riding.”

Morris advocated the use of two-point contact as the riders lengthened their legs around the horses, focusing on the forward inclination, referring to the position as “indispensable.” They posted for 10 strides, and then held two-point for 10 strides, observing the position and the change in the base of support. The posting or rising trot is exactly like jumping; the movement of the horse thrusts the rider forward in the saddle, displacing the base of support from the knee to the heel, using the stirrups for stability.

After completing several volte, a little larger than 6 meters in diameter, Morris asked the riders to make the circles smaller and smaller until they were working at the pirouette.

Morris continued to work the riders and horses with the four-track ravers (“haunches in”) and renvers (“haunches-out”), as well as with shoulders-in and shoulders-out to increase suppleness and rideability while working on leg aids. Morris then asked the riders to complete leg-yields and half-passes as part of the lateral schooling.

The riders rewarded their horses with what Morris refers to as “the greatest principal of riding,” the take and give. As they did, the horses became content and submissive, softening their backs and stretching on the hand as they descended their necks. Morris expounded that the riders must resist the horse’s mouth in exact proportion, always keeping contact and using their legs to maintain impulsion with the “petite attaque.”

“What I teach is no longer the common fashion,” Morris said. “The light seat and forward positioning is no longer taught; classical dressage is no longer used. Remember, anything that is done to excess becomes a defect; look at the crest release. When you release over the fence your hands should be in a straight line to the horse’s mouth, keeping contact and sinking into the saddle after the fence, not sitting, but sinking.”

Savannah Talcott
Savannah Talcott

Morris completed a series of cavaletti aboard Sloane Coles’ horse during the first session, focusing on the position and jumping with contact. For the second group he had the five riders practice over cavaletti, cantering the series in a forward two-stride to a bounce and into a three-stride to complete the exercise with the halt. Morris then had them reverse and complete the exercise at a collected pace adding strides and halting before the in-gate.

After completing a series of questions from the auditors and riders, the morning session was released. The 10 riders proceeded on to a closed Physio Session with Equine Physiotherapist for the United States Show Jumping Team, Janus Marquis.

“I really base the talk around the fact that it is the rider’s ultimate responsibility to care for the well-being of the horse, and the fact that he is an athlete. We are going to run our hands over the horse, feel for irregularities such as heat and inflammation,” Marquis explained. “The riders need to know their horses every day, and when they find things they will know what to do from stretching to modalities. We will use ultrasounds, lasers, electromagnetics and electro stimulation, that are out there and available to them as tools so they get the most out of their performance and longevity out of the athlete.”

After the Physio Session, each rider sat with Morris to speak one-on-one about his or her career and a program to follow. The Gladstone Program is designed to focus on the training and education for exceptionally dedicated and talented show jumping riders who are serious about their interest and desire to pursue a path that will prepare them to be a “team” rider and represent the United States in international competition.

Tomorrow brings the final day of the 2014 George H. Morris Gladstone Program, focusing on a morning filled with jumping. The riders will face a daunting course promptly at 8 a.m. and 10:00 a.m. The morning sessions are open to the public for auditing.

The United States Equestrian Team Foundation (www.uset.org) is the non-profit organization that supports the competition, training, coaching, travel and educational needs of America’s elite and developing international, high-performance horses and athletes in partnership with the United States Equestrian Federation.

For more information on the USET Foundation, please call (908) 234-1251, or visit USET ONLINE at www.uset.org.

Contact: Rebecca Walton
USET Foundation
phone 561.753.3389  fax 561.753.3386
rjw@phelpsmediagroup.com
PhelpsMediaGroup.com

George Morris Drops the Stirrups to Pin Point Positioning at Gladstone Program

George Morris works Savannah Talcott’s horse.

Gladstone, NJ – May 23, 2014 – The fourth day of the George H. Morris Gladstone Program opened to a brisk breeze and 60-degree weather. With the horses feeling fresh, riders had to be on point as they mounted sans stirrups for the morning sessions with the world-renowned horseman. Although the riders would not face the imposing obstacles from the previous day’s sessions, Morris would test both horse and rider mentally and physically with exercises on the flat to improve aids and balance.

Proponents of no-stirrup riding, including Morris, argue that riding in this fashion is natural. It allows the rider to sit over the shoulder and just behind the withers, increasing communication with the horse considerably, while improving balance. Riders adjusted the bridge of their reins, keeping the outside a touch shorter than the inside, putting the excess rein or “bight” to the outside. The horses maintained straightness with help from the outside hand, with each rider moving forward with impulsion at the free walk.

Morris explained, “Riders, myself included, tend to slip back in their position and seat. For this first position, I want your hand on the pommel of the saddle, and pull your two seat bones deep into the saddle while lengthening the legs. Your leg should be slightly behind the girth, keeping impulsion at the walk.”

Although the clinic has focused deeply on the suppleness of the horse for the past three days, today Morris redirected his attention to the suppleness of the riders. He introduced a series of exercises that are beneficial to riders of all levels, working through the ankles, legs, crotch, arms, shoulders and neck. Riders rotated their toes clockwise and counter clockwise three to four times while keeping the leg perfectly steady.

The scissors implementation allowed the riders to open and close their legs to the sides while helping to stretch the adductor muscle group and the legs in entirety. The exercise is very challenging, bringing the legs to a 45-degree angle simultaneously, and Morris only had the riders perform it five times.

“You can never grow out of these exercises; they not only help to make you supple, but they allow the horse to trust you. It is important that the horse always trust its rider,” Morris commented as he asked the riders to move their arms in a circle, brushing the horse’s neck and flank lightly. “You want them to feel content, and trusting. Pat their neck, and lightly brush their flank so they don’t confuse your hand with the whip.”

The riders picked up a slow trot, still holding a forward position, and Morris asked them to rise to the trot. It was very short-lived though, as Morris acknowledged how physically taxing the posting trot is without stirrups. The riders moved through a succession of the volte, ranging about 8 meters in diameter, completing circles at an interval while keeping the horse’s forehand and hindquarters on the same track.

The riders worked with feeling the horse in the hand, pushing the horse with their legs while allowing them to stretch for the bit. As the riders worked on downward transitions, Morris focused on the details of positioning during each, always focusing on keeping the horse in front of the leg.

“The half-halt is the crux of riding,” Morris said as riders transitioned from trot to walk and walk to halt. “The basis of the half-halt is in the hand. It is like you are squeezing a lemon or a sponge. You must close your hand and make a fist. If you need a stronger half-halt, add the arm, if you need to be even stronger use your weight. The French have a great term: stretch the spine. I love that saying. It tells you that you must drive your seat into the saddle.”

Morris then asked the riders to complete leg-yields and half-passes as part of the lateral schooling. “The purpose of lateral work is to get the horse coming from behind; this is horse training,” he said. “This is why I am in the sport: not because I have won numerous equitation, hunter and jumper championships, but because of the horse training.”

The final part of the morning sessions included counter-cantering while using outside aids to correctly ask for a lead change. Morris expected each rider to keep his or her horse straight while asking for the lead change on the track with his or her inside leg and outside leg, contrary to popular teachings. Morris had the opportunity to work Brittni Raflowitz’s horse from the first group session, and Savannah Talcott’s horse from the second mounted session.

As he walked each of the horses at a free walk, it was apparent that they were content and submissive to his legs and hands. “Do you see how the horse is relaxed? It’s not from exhaustion, not from lunging, not from drugging, but from riding. See how she snorts; she is happy and that is her purr.”

Morris finished the session with words of wisdom for his students and spectators. “Our goal is perfection; we won’t ever reach perfection, but that is our goal. The best professionals reach their goals because they set their standards high.”

Day five of the clinic will review the principals that the students learned throughout the week, preparing them for the major day of jumping on Sunday morning. They had the unique opportunity to meet with United States Show Jumping Team Veterinarian, Dr. Tim Ober, DVM, for a veterinary session Friday afternoon where Ober discussed the importance of proper riding and veterinary implementation in a program.

“The foundation of what I have to say builds on what George and Dr. Heuschmann have been saying, that proper riding and balance go hand-in-hand in reducing the need for a veterinarian to be involved too frequently in the care of their horse,” Ober explained. “The best way that a veterinarian can complement you and your horse in the sports industry is to help you to be proactive and preventative about injuries. If you are riding well, your horses are fit, and your vet is helping you get on top of small details, your injury rate will go down; there is no question about that.”

“I think that these clinics and these programs are opening riders’ eyes to standards and common approaches that George and others would like to see adopted in the U.S. I think that shift will have to be nurtured and developed over time, and these clinics are fundamental,” Ober concluded. “How these clinics are getting adopted more and more throughout the year is the next evolution of this.”

The United States Equestrian Team Foundation (www.uset.org) is the non-profit organization that supports the competition, training, coaching, travel and educational needs of America’s elite and developing international, high-performance horses and athletes in partnership with the United States Equestrian Federation.

For more information on the USET Foundation, please call (908) 234-1251, or visit USET ONLINE at www.uset.org.

Contact: Rebecca Walton
USET Foundation
phone 561.753.3389  fax 561.753.3386
rjw@phelpsmediagroup.com
PhelpsMediaGroup.com

Gymnastics and Forward Foundations for Day Two of George H. Morris Gladstone Program

George Morris works Jacob Pope’s mount through the cavaletti exercise

Gladstone, NJ – May 21, 2014 – Day two of the 2014 George H. Morris Gladstone Program got underway at the USET Foundation’s Headquarters at Hamilton Farms early Wednesday morning. Riders were expected to put their newly learned knowledge to the test, continuing their work on the flat in order to better prepare their mounts for the gymnastics session in the afternoon where they would face cavaletti, gymnastic work, and a liverpool.

Legendary horseman George Morris instructed Brittni Raflowitz, Maggie McAlary, Sloane Coles and Scott Lico to work their horses around half the ring, using self-activity and putting yesterday’s knowledge into practice. Jacob Pope watched Morris from the side as he worked with his mount to round the poll and straighten, working with the horse’s mouth to sensitize and utilize leg aids.

“The French call it ‘petite attaque’ meaning small attack,” Morris stated as he put the horse to the bit. “The trick is to push not pull, give a little and then take a little. You want the horse to fall into rhythm, and have contact with the bit. Once they are going with the impulsion, they have no choice; the horse will stretch into the bit. You must know the difference between stretching and leaning.”

Dr. Gerd Heuschmann welcomed Alec Bozorgi, Karina Busch, Katie Cox, Christi Israel and Savannah Talcott to the second mounted session of the morning. Dr. Heuschmann mounted Karina Busch’s horse, and from the moment he positioned himself the familiarities in his and Morris’ riding styles were uncanny. He reinforced his hand position by keeping his hands symmetrical with the horse’s mouth.

The gymnastics mounted session saw the 10 riders in the two groups, using a condensed work model on the flat to loosen the horses and work on suppleness. Utilizing Heuschmann’s principles discussed over the two days, the riders continued to work on classical riding techniques, focusing on a light seat and keeping the horse balanced with their legs and hands. Morris then instructed the riders to move through the cavalettis, maintaining rhythm and allowing their horse to get there without hesitation. Even through the cavalettis the riders focused on keeping a forward seat, similar to that of the obstacles they would soon progress on to.

Morris had them complete several figure eights over the cavalettis, interpreted as “little obstacle,” and then focus on a series of four small verticals set on a circle. “You always want to be progressive when training a horse. We start with two fences, then progress to three, and then four,” Morris described.

“You may not get it right the first time, or even the second time,” Morris explained. “It takes years of practice to get to the level of Beezie [Madden], McLain [Ward] or Laura [Kraut], but we are working to build you and the horse to get there.”

Alec Bozorgi rides to the triple bar, exemplifying what Morris was explaining with a light seat, forward position and deep approach
Alec Bozorgi rides to the triple bar, exemplifying what Morris was explaining with a light seat, forward position and deep approach

The riders focused on holding their position throughout the exercise, keeping contact with a half halt after each fence, by raising their hands slightly. Each rider kept the inside rein open, using the outside leg to guide and allow the horse to bend around the inside leg. When Morris was satisfied with each of the riders, he moved on to a single triple bar.

Morris always focuses on the forward seat as part of his clinics, working to get the horses to go with the riders versus bracing and resisting with too deep of a seat. The riders were asked to approach the triple bar at a forward pace in a two-point position, moving into a light three-point position about eight strides away from the obstacle.

As soon as each rider completed the triple bar, Morris added a vertical-vertical one-stride combination set next to the water. He focused on having the riders look for a deep approach to the fences so that the horses sit back on their hocks, using impulsion to move them through the combinations. After taking six strides to an oxer set on the left from the combination, the riders moved on to the liverpool, an obstacle that proved spooky for several.

“This is where you have to ask what impulsion your horse needs,” Morris asked of his students. “Does your horse need a cluck? A little spur? A stick? You need to think quickly and understand how to keep your horse thinking forward. You must anticipate and predict.”

“I didn’t exactly know what to expect when going into the gymnastics session today,” Raflowitz said. “I have only had my mare for a month, but I was prepared to expect the unexpected. She was super, and I couldn’t have asked her to be any better than she was. Everything George has to say is quite interesting since he has a very different teaching style than anyone I have worked with. I need to work on being softer in the seat, not riding so rigid and so deep in my seat.”

Raflowitz continued, “This clinic is so unique; it combines lectures with professionals in the industry, and an unfathomable amount of knowledge can be gained. Today we met with Yvonne Ocrant, a lawyer, and it was extremely interesting. She kept us engaged, and I came away with a better understanding for a business on both a day-to-day and law-based way. She really explained how to turn what we love to do into a successful business, but we also learned the importance of protecting our business.”

The instructions through the gymnastics provided educational tools for horse and rider, actively fulfilling the purpose of the 2014 George H. Morris Gladstone Program. Day three of the clinic will focus on two group sessions beginning at 8 a.m. tomorrow morning. The riders will face more work on the flat, as well as a series of gymnastics. The Gladstone Program incorporates a unique design, utilizing professionals and experts across the equestrian industry to build knowledge for the riders in an effort to pursue a path that will prepare them to be a “team” rider and represent the United States in international competition.

The United States Equestrian Team Foundation (www.uset.org) is the non-profit organization that supports the competition, training, coaching, travel and educational needs of America’s elite and developing international, high-performance horses and athletes in partnership with the United States Equestrian Federation.

For more information on the USET Foundation, please call (908) 234-1251, or visit USET ONLINE at www.uset.org.

Contact: Rebecca Walton
USET Foundation
phone 561.753.3389  fax 561.753.3386
rjw@phelpsmediagroup.com
PhelpsMediaGroup.com

George H. Morris Gladstone Program Kicks Off at the USET Foundation’s Hamilton Farm

Maggie McAlary.

Gladstone, NJ – May 20, 2014 – Ten of the country’s most talented young riders chosen for the George H. Morris Gladstone Program gathered at the USET Foundation’s Headquarters at Hamilton Farms this morning for the opportunity to lifetime. This special program focuses on the training and education for exceptionally dedicated and talented show jumping riders who are serious about their interest and desire to pursue a path that will prepare them to be a “team” rider and represent the United States in international competition.

George Morris started the day by introducing the riders to German veterinarian and leading expert in biomechanics, Dr. Gerd Heuschmann, to lead the session on “Biomechanics of the Riding Horse”. Many of Dr. Heuschmann and Morris’ ideas and training are aligned, making Heuschmann a natural fit for the Gladstone Program. Heuschmann’s lecture on biomechanics was the perfect subject for the opening day, introducing riders to the working, riding and training teachings of the masters throughout centuries. All of his education, research and hands-on experience have led him to one conclusion: 95 percent of the problems sit in the saddle.

“The United States is the only country where veterinarians give hock injections,” Heuschmann stated. “There is no need. Sixty percent of lameness problems cannot be diagnosed; however, if you understand the horse, balance and seat, lameness problems can be fixed in a matter of days without unnecessary steroids.”

Heuschmann discussed the importance of the rider’s seat, and how it is the key to classical training. Each rider must know how to have a light seat; it is the most important because this is where all of the connection and feeling happens.

The information from the lecture proved pertinent as five riders from the first group approached the USET Foundation Arena for the mounted session. There was not a jump in sight as Brittni Raflowitz, Jacob Pope, Maggie McAlary, Sloane Coles, and Scott Lico entered the ring with their mounts. Morris and Dr. Heuschmann soon arrived and immediately put their teachings to practice.

Using half of the ring, Morris began the clinic in normal fashion, adjusting positioning and equipment. Riders worked on giving and taking, using minimal use of their hands while focusing on their legs and seat.

“I don’t like a chair seat,” Morris’ booming voice could be heard throughout the arena. “Make sure that you are using a light seat and are positioned forward.”

As they loosened up their mounts and continued around the ring, Dr. Heuschmann commented on how to make them the driver and not the passenger. He focused on not allowing the horse to get above the hand, transitioning from posting trot to sitting trot using the horse’s natural rhythm.

Heuschmann instructed Pope to post on the opposite diagonal, aligning the right hand and the right front. The exercise maintained the purpose of working to sensitize while not desensitizing their mounts, always keeping the horses in front of the leg, and working on longitudinal schooling.

“I always put these three things together on the flat: longitudinal, lateral one track and lateral two schooling,” Morris said. “Longitudinal schooling helps us to work with going forward, backward, and using transitions. The latitudinal schooling incorporates serpentines and circling. I incorporate all three of these to loosen the horse and prepare them to jump. It opens them up to stretch; you must know when to go with the stretch.”

Morris worked closely with Lico to better help his grey mare to respond to leg contact. His techniques opened her up to a more progressive training, and she began to accept and allow Lico to play with the length of her neck. By the end of the session she was accepting the leg, falling into rhythm and correcting her mouth to become suppler.

The riders finished the session out by picking up the counter canter to work on balance. With tomorrow’s jumping session quickly approaching, today’s flat work prepared each of the riders for what they are to face tomorrow. “Jumping is a reflection of the walk, trot, and canter. It is the horse’s natural ability. If the horse is supple and loose, then they will use their natural ability to jump it as best they can,” Morris stated.

The second group of riders, Alec Bozorgi, Karina Busch, Katie Cox, Christi Israel and Savannah Talcott, delved deep into the biomechanics of the horse and the proper positioning to allow for a supple horse.

Heuschmann stood center ring as he commented on leg positioning and hand placement. He advocated keeping hands aligned with the horses’ mouths, working toward a round poll and softness in their movements.

“The hand is made in your seat,” Heuschmann relayed. “One of the most important things you can learn is to keep the hand in balance. Once you are balanced you can relax the shoulders, and in turn, that allows you to work the horse into a longer frame.”

Heuschmann used many of the techniques he had discussed earlier in the day to provide examples for the riders. He utilized the “back-up” to help bring the horses in closer contact with their riders. After a few steps back the horses were responding with a brand new reaction to the aids, lengthening their necks and becoming suppler.

As the group sessions came to a close Morris picked up his measuring tape and walked into the arena with the 10 students following closely behind. Together they built the course for tomorrow afternoon’s gymnastics session.

“The Gladstone Program is not a horse show, it is an educational program. Everyone is going to ‘school’ and learning from veterinarians, sports psychologists, stabling management. It is a different experience, but the overall principle is horsemanship,” Morris concluded. “The participants in the Gladstone Program will have the opportunity to sit with me and design a program, and learn the most important parts of horsemanship as horse trainers.”

Day two of the clinic will commence at tomorrow morning with flat work mounted sessions at 8 a.m. and 9:30 a.m. and later in the afternoon riders will tackle the recently set gymnastics at 2:30 p.m. and 4:15 p.m. All sessions are open to the public for auditing.

The United States Equestrian Team Foundation (www.uset.org) is the non-profit organization that supports the competition, training, coaching, travel and educational needs of America’s elite and developing international, high-performance horses and athletes in partnership with the United States Equestrian Federation.

For more information on the USET Foundation, please call (908) 234-1251, or visit USET ONLINE at www.uset.org.

Contact: Rebecca Walton
USET Foundation
phone 561.753.3389  fax 561.753.3386
rjw@phelpsmediagroup.com
PhelpsMediaGroup.com