Tag Archives: topline

AHorse Blog – 3 Tips for the Correct Length and Height of Your Horse’s Neck, by Jane Savoie

Lots of you tell me you’re confused about the correct length and height of your horse’s neck so I thought I’d address that in this article.

1.     Neck too high: The height of the neck is determined by the degree of engagement of the hindquarters. So, the height of the neck changes as you go up through the levels and your horse becomes more collected.

Always keep in mind, however, that if you ride with the neck too high and short and the angle of the throatlatch too closed, there can’t be any bridge from the back end to the front end.

The neck has to be in line with the power train of the hindquarters-not above it. When the neck is too high, the hind end is disconnected from the front end.

2.     Neck too short: I like to say the length of the neck is proportional to the length of the stride taken by the hind legs. So, if you crank the neck in and it gets too short, the hind legs take shorter steps.

Always strive to keep your horse’s neck long.

Even though you want more and more of an uphill balance as you go up through the levels, you still want to see a long neck blooming out in front of you.

This is an exaggeration, but I like to pretend that I have 1/3 of the horse out behind me, and 2/3 of the horse blooming out in front of me. The last thing I want to see is a short neck with 1/3 of the horse out in front of me and 2/3 trailing out behind.

Now, it’s really not 1/3 behind and 2/3 in front, but that gives you a good visual for always having a long neck blooming out in front of you. And that’s the case whether you’re in the horizontal balance of Training Level or the uphill balance of Grand Prix.

One of the mistakes you see at the FEI levels is that riders think they’re collecting their horses, but all they’re doing is shortening their necks.

This creates all kinds of problems because the hind legs are blocked. For example, in a canter pirouette, a horse might switch leads behind or break to the trot. In piaffe, the diagonal pairs might break up, and the piaffe is no longer a real 2-beat trot.

3.     Rules of thumb for your horse’s balance: At Training Level, the horse has approximately 60% of his weight on the front legs and 40% of his weight on the hind legs.

That’s the same balance that a horse has in nature because a horse is built like a table with a head and neck on one end. By virtue of the weight of the head and neck, horses naturally have more weight on the front legs than the back legs.

So, at Training Level, with 60% of his weight on the front legs and 40% of his weight on the hind legs, the horse is in what I call “horizontal balance”. His topline looks pretty much parallel to the ground.

At First Level, exercises and movements like smaller circles, leg yields and a little bit of counter canter, cause a slight shift in the center of gravity back to the hind legs. That’s because those exercises create an increase in the bending of the joints of the hind legs. The horse’s croup goes down a little bit, and the forehand goes up proportionately. So at First Level, you might have approximately 55% of the weight on the front legs and 45% behind.

At Second Level, you begin “modest” collection. More weight shifts toward the hindquarters by virtue of the exercises such as shoulder-in, haunches-in, renvers, and simple changes of lead. So you end up with about 50% of the weight on the hind legs and 50% of the weight on the front legs.

At Third Level, you have the beginning of real collection with more weight on the hind legs than on the front legs.

As you go up through the levels there’s a progressive increase in the loading of the hind legs. As a result, the horse, like a seesaw, gradually sits more behind and comes more “up” in front.

Jane Savoie
1174 Hill St ext.
Berlin, VT 05602